Photo-based work​

​

• The History of Trees: Notes on Growth and Intimacy

  • Photobook with black and white images. Self-published in an edition of 50. 2021.

​

• Colonization 1 2 3

  • Set of three photobooks with color images and hand-constructed slipcase. Self-published in an edition of 25. 2019.

​

• Space and Material: Beach Variation​

  • Set of photographs in hand-constructed box with printed sleeve. Self-published in a limited edition. 2018.​​​

​

   Engagements

​

• Presentation of work to students at Hochschule München | University of Applied Sciences, Munich, Germany. 2024.

​

• ​Presentation of work to students at Nova Scotia School of Art and Design, Halifax, Canada. 1993.

​

• Presentation of work in radio presentation on WREK, Atlanta, Georgia, USA. 1992.

​​

   Performance

​​​

• Skin Like Dust

  • Live sound and movement performance for three people performed once for an audience in an outdoor space. 1994.

​

• Estuary

  • Live sound performance for found and invented sound makers with multiple performers. Performed for audiences on three separate evenings. 1992.​

​

• Coalescence

  • Live sound performance for four performers with shortwave radios. Performed for audiences twice in two indoor locations. 1991.

​

• Moving Toward Light

  • Movement improvisation for solo performer with pre-recorded sound emitted from tape recorders within the costume as part of Dance On The Loose, an annual choreographers showcase in Atlanta, Georgia in 1990. A second performance was filmed outdoors with a black and white Pixelvision camera in the same yea​​​​r.

​

• Proximity

  • Black and white Super 8 film project for two performers with camera held at arms length while improvising movement within a small space. The film was produced and performed in 1988 and projected live as part of a set of work by the Red Clay performance group  in 1990. This piece was also presented during a visiting session with students at Nova Scotia School of Art and Design in 1993 and displayed on a monitor in a loop as part of at the New Lamps for Old art show at 378 Gallery in Atlanta in 2023.

​

• Landscape

  • Color Super-8 film compiled of multiple three minute continuous segments for camera held at arms length while listening to recorded directions through headphones by solo performers in various outdoor environments. 1987.​

 

• Recorded groupings of the performance work above were also presented in a session with students at Nova Scotia College of Art and Design in 1993 and in a broadcast on WREK, Georgia Institute of Technology’s radio station, in 1992.

 

   Writing

 

• Intuitive Action Work

  • Presentation and essay on Intuitive Action Work 1988-1994, self-published book 1994.

​

• An Accident of Location

  • Experimental fiction published in Loblolly, Volume 1, No. 3/4, 1988.

​

• A Few Notes on Politics, Art and Political Art 

  • Essay published in Art Papers Vol. 8, No. 5, 1984. 

​

• Alone-With: 22 Parts

  • Experimental fiction published in Chicago Review, Volume 33, No 3, 1983.

​

• Segments 

  • Opening text to booklet accompanying Stan Sharshal’s solo art show at the High Museum of Art, Atlanta, Georgia 1981.

​

• Trailer

  • Experimental fiction published in Chicago Review, Volume 32, No 2, 1980.

​

• Reporter

  • Experimental fiction published in Chicago Review, Volume 31, No. 2, 1979.

​

• Act One, Act Two

  • Text poems, published in The Bitter Oleander, Volume 1, No. 2, 1975.

​​​​​​​​

​